Can I Learn from someone I Don’t Like?

8 11 2013

In the world of writing, I’m a newbie. As far as expertise in the genre which I’m writing, I have none. For these reasons, I sought instruction from someone considered an authority in the genre of science fiction and fantasy: Orson Scott Card.

I purchased the book How to Write Science Fiction & Fantasy over a year ago, shortly after I decided to write a young adult fantasy novel. Rave reviews and recommendations from writers I trusted spurred me to make the investment in this slim volume.

At that point, I hadn’t read a single book written my Mr. Card. It didn’t matter. As an instructor, he came highly recommended. As a writer, his long list of published novels, many of which were best sellers, and his numerous awards seemed like firm second opinions.

Then I read Pathfinder. It’s an interesting blend of science fiction and fantasy (since the main character, Rigg, has a special ability). I enjoyed the story – right up until the end.

More recently, I read Ender’s Game. I noticed that Card used the same style of prefacing each chapter with a scene happening outside the main action as he had used in Pathfinder. They divulged information and motivation for the benefit of the reader. In that book, these scenes were actually things that happened in eons past that would eventually help the reader understand the conclusion of the book.

I surmise the purpose for these additions is three-fold: build tension, exposit backstory and offer information the protagonist doesn’t have.

I don’t care for this style of writing, especially not for young adults. I’ve worked with reluctant and struggling readers for the past seven years and this sort of writing confuses and frustrates them.

Okay, but Shari, isn’t that just a small percentage of the young adult population? You might be surprised to learn that according to findings presented by Scholastic only 50% of young adults claimed to read for pleasure. Percentages decline for 16-18 year olds (school work and extracurricular activities are peaking then).

Back from the statistical tangent: Orson Scott Card is surely an accomplished writer and an authority in his field. I haven’t been impressed with his fiction writing.

The How to Write book netted a slightly different response. Card freely shared his methods for finding ideas and nurturing them to the point where they can support a story. His insight into world building – essential for fantasy writers – helped me outline rules for the magic used in my current novels.

In short, Card taught me important things. If I had decided not to read his writing instructional manual because I didn’t care for a couple fiction stories he’d written, my writing would have suffered.

We can all think of experts we aren’t impressed with in one way or another. Why would the field of writing be any different? Any expert with the inclination to share their wealth of knowledge deserves our attention.

What are your experiences with this phenomenon? Have you ever been surprised to learn from someone who your preconceived notions tempted you to disregard?

You can find my blog posts on my author website at: http://sharonleehughson.com/blogs/

Beginning in December, all my future posts will only be available at that site. Please click the link and follow my blog from my website. Thanks.

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3 responses

8 11 2013
Can I Learn from someone I Don’t Like? | Todd DeanTodd Dean

[…] Can I Learn from someone I Don’t Like? […]

9 11 2013
Bethany

I know that both in work and life I have learned a lot from people I don’t like, respect, or even want to admit could have redeeming qualities. Fortunately I do now see how all of those people/instances have given me insight I otherwise wouldn’t have had 🙂

9 11 2013
sharonhughson

It’s the road to wisdom when we admit that every moment and every person and every event in our life offers us an opportunity to learn and grow. You’re getting wise! (And fortunately for you, no gray hairs to show for it.)

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